Wednesday, June 19, 2013
A Prayer Without End
Dangling on the edge of our October laughs
my mermaid feet loom over the foolish Seine
delicately.
****
The summer breeze is encouraging.
Convincing. It nudges my body gently.
The way you did onceuponatime
under those warm starless skies.
While I felt the grass on my naked back
and all was quiet, but for us. Inebriated as we were
by Youth.
My mother’s voice called out to me from the distance
It rippled through the Arabian sea
and died before I paid heed to it. Be careful, she would say.
And under the moonlight i let you dismantle the fortress she had built around me
Is it no wonder then, that we are so broken now, the youandi of we?
i lie scattered around the city. An explosion.
every day i tumble upon a new fragment of myself
and pocket it safely, in the hope of being whole again.
on the rue de la Bucherie, on a rainy day in May
i found my insides on display. For everyone to see;
and then where we had laid down our private thoughts
One distant forgotten day
in a secret corner of the cimitiere du montparnasse
Known only to You and Me.
****
i collect myself among the heavy rose blossoms
dripping red yellow pink white fire sweat
in the June heat
they have floated away from you
to faraway lands. Beyond the mountain and the sea
to the burning urgent sunset of orange Granada
that smothers them to forgetfulness
only the memory of the bubbling
Seine. Calling out to me.
The cosmos cracked open
at the break of spring.
when we turned away, each to each.
and i confronted the sea.
Winter kept us warm, covering earth in forgetful snow
Oh such deceit! April is the cruellest month
the birthing month that mocks at our infertility.
And so what if i refuse to look the other way now?
And so what if i throw away sunny dreams?
****
and so what if i reject remembrance?
and so what if i am cruel?
and so what if i sacrifice my body,
at the altar of some urban Lethe?
The rain will come wash it away-
and autumn will bury it under her rubbish golden leaves-
and summer will plaster it neatly with dust.
and everything will be as before-
You without Me.
Saturday, May 4, 2013
Ophelia
I am the forgotten
Ophelia
Lay down to a muddy
death
Fallen off a willow
tree
Balance was never a forte
Of a falling woman
like me.
The sound of my water
stifled weeps
Cannot be heard
through the hasty beeps
Of impatient machines
Of a world where there
is no grief
And everyone moves on
Easily.
I am disregarded
For a soliloquy
Victim to Hamlet’s
To be or not to be?
Ponderings that should
not concern
A hysterical woman
like me.
What dreams had you,
Ophelia?
What agonies?
As you felt the water
seep
And swallow you deep.
Even as it ruined
Your stockings and
high heels?
I consider this poem
almost incomplete. Having worked extensively on the question of the representation
of women in literature this year, and especially on the question of melancholia
and women, this is something I have been thinking about obsessively. Traditionally,
female grief has always been degraded to the level of hysteria and madness. While
male sorrow is somewhat more dignified and intellectual, often termed “melancholia”,
depression among women has been an issue that has not been dealt with very well
by male writers. Tragic female figures are always doomed to silence; either by
death or madness. One such figure is Ophelia, victim to Hamlet’s selfishness. I
had planned on writing something more serious and sympathetic, but what came
out was something with an almost-tongue in cheek tone to it. Nevertheless, I ask
myself what Ophelia would have done if she hadn’t been killed off by
Shakespeare. Perhaps a question we should all ask ourselves.
For those of you who know me personally, you will inevitably link what I write about to what has been going on in my life. And while I cannot really put an end to such interpretations, I would like to say that words come not only from within, but also without.
For those of you who know me personally, you will inevitably link what I write about to what has been going on in my life. And while I cannot really put an end to such interpretations, I would like to say that words come not only from within, but also without.
Falling Women
(A quick note before you proceed to the poem- the title “Falling Women” comes from Margaret Atwood’s book Cat’s Eye. She uses it elsewhere too, but a quick google search might suffice to understand the notion of Falling Women. Lulu is a character from Beckett’s short story, First Love or Premier Amour in which the narrator leaves Lulu as she is giving birth to their child and is never able to forget her cries. This little explanation will hopefully make it easier to read the poem, given how tedious poetry can be!)
And as once before,
A monster grows inside me. A poet
Threatens to make itself be born.
What is happening inside me cannot be
Denied or put off much longer
Part your legs and push push push
He never forgot Lulu’s cries.
I prepare in calculated bursts
To paddle myself Lethe wards
The liquid obliteration of images and words
And faces and touches and lies–
Till I am shrouded in an unwitting white
The colour of a purged woman
Draped as a new born child.
Tightly ,in clean and crisp sheets
That bear no stink of vulgar love.
“Has she eaten? Has she slept?
What happened to her?”
Whispers die around me.
I am the site of death and rebirth
Another hysterical woman.
Prone to sentimentality.
Whilst I suffer in my sick room,
I shall be handled and taken care of.
If only I were a regular Lady Lazarus
Splitting open veins habitually
And stitching them back up
Till what is unwanted flows and trickles away.
******
I am cursed with liberationA modern woman, who knows better.
And like dinner, we will split the cost of this
And I shall be reimbursed for all expenses incurred
For I have my income, and you yours.
And I should know better, than to resort to words
Or worse still, feelings.
For a life is exterminable
And divisible. And always unwanted.
Syntheticity, the child of modern science
Was supposed to prevent natural growths.
Death can be bought
And they will clean up the mess
And that is all there is to it.
This is the lot of Falling Women
Trudging along treacherous men cliffs
Susceptible to loving.
Falling in love. Tumbling down it
Like a lost little Alice.
Swallowed whole by the downward vortex
Of gravity.
The falling must hit ground, sooner or later.
Wounds will be acquired.
Skin stitched back together like a jigsaw puzzle
A womb emptied.
All traces will be removed
This is what modern men and women do.
They move on.
Tuesday, May 22, 2012
White
Today the rain empties
All has been silenced
In this bareness
All are nude
Austere
And susceptible
Let us hang our masks And begin again
By the door In a thousand ripples
Next to the wet umbrella On
the mirror
Reveal ourselves
Broken
Under candelabra Exploit
And will shadows Forever
To merge Our intermittent tenderness
To merge Our intermittent tenderness
Let us tread closer On white sheets
And cross lines
Of Eden
And melt There will be no betrayal
In phrases In the rain
In exhaustible There are no apples
long serpents
Never ending Only us
The silverware Let us prey
Gleaming
While
Reflecting We are new and uncovered
Our unusual nakedness Shivering
forms
Narcissus and Echo Exposed
Chasing To the fangs of Time.
Let us end----
Let us put away
Caustic words
And open
To a nonsensical
nothingness
Of flowery verses
And decorate
With vases
As White-Winged Gods
Populate the room,
Remember Socrates
hung
bythe tightnoose
Of Truth.
Tuesday, May 8, 2012
Once Upon A Time
I might have loved once
Under the shadow of a chestnut tree
Like squirrels we would have
nibbled at fruits
For a period.
Made a nest of plastic and glass
The dregs of
man
From the wastes of a civilization
And exhausted our play-thing of a love
On the canvas of a sunset.
I might have let pig Cupid
Aim for me--- Try his luck
As in a casino. While women came
And went
Talking of Michelangelo.
Once I might have loved where a touch was enough.
Wednesday, April 25, 2012
Of Love Songs
Midnight empties my
heart---
-
-We might have united,
In the moment of a
heartbeat
When the sun was high
And even shadows had
withdrawn.
Into newspaper print.
Fluids trickle in this
heated summer
Of lazy passions
Where fat flies couple
unhurriedly
And secrets spill in
to each other
digging deeper in to flesh
bellowing in to graves.
No dark corners may be
found
virginal, in this
city.
And we, ever faster in nothingness
An accidental sigh
escapes
is caught back hastily
the viscous white silence
spreads again.
A form develops
Among white sheets
It is suspect. flickers---
indecisively.
We must trust
In false fecundity.
Let this cerebral
carnage
Destroy me.
Till I am no more. Emptiness.
Only a moth remains
Nibbling your insides
Blood gushes
Saturday, March 10, 2012
Charades
A golden arrow
Penetrates the darkness
Adolescent thighs of
furry nights
Open to receive it.
For we are good hosts.
Welcome.
And I in my lamp
Deaf to the sun’s hollering
In my safe dignity and
retreat
Refuse to awaken.
Lunar madness is
familiar
The frenzy of words,
A consolation
Daylight a dream.
You are here now, we
will not let you go.
The sun moves to other
skies
Monogamy is a charade.
Stars are prone to
swindling.
And clouds to
inter-mingling.
Incest is in the air. Infidelity is the
highest law. There is no loyalty.
The river rages
Against this sudden
betrayal.
Protests, like in a
democracy.
The solar system is a
monarchy.
In the kingdom of the sun, free will is not tolerated.
Why should I be
honest?
I will allow my words to
deceive.
Hypocrite lecteur! mon
semblable!
Believe what you may
believe.
For words, like the
sun, also mislead.
But I, eternally, safe,
and asleep.
Subscribe to:
Posts (Atom)
